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Digital file of Writing Fiction: A Guide to Narrative Craft, 9th Edition for sale
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Category : Higher Education
1 Whatever Works: The Writing Process Get Started Journal Keeping Freewriting Exercises The Computer The Critic: A Caution Choosing a Subject The Dilemma, or Catch-22 The Incongruity The Connection The Memory The Transplant. The Revenge Keep Going A Word About Theme Reading as Writers About the Writing Workshop How Workshops Work The Writer’s Role Writing Exercises 2 Seeing Is Believing: Showing and Telling Significant Detail Writing About Emotion Filtering Comparison Types Of Metaphor And Simile Metaphoric Faults To Avoid The Active Voice Prose Rhythm Mechanics We Didn’t STUART DYBEK Goal 666 Stacey Richter Binocular Vision Edith Pearlman Writing Exercises 3 Building Character: Characterization, Part I The Direct Methods of Character Presentation Dialogue Summary, Indirect, and Direct Dialogue Economy in Dialogue Characterizing Dialogue Other Uses of Dialogue Dialogue as Action Text and Subtext “No” Dialogue Specificity Pacing. Format and Style Vernacular Fiesta, 1980 Junot Díaz Every Tongue Shall Confess ZZ PACKER Emergency Denis Johnson Writing Exercises 4 The Flesh Made Word: Characterization, Part II The Direct Methods of Character Presentation Appearance Action Thought The Indirect Methods of Character Presentation Authorial Interpretation Interpretation By Another Character Conflict Between Methods of Presentation The Universal Paradox Credibility Purpose Complexity Change Reinventing Character Creating a Group or Crowd The Character Journal Character: A Summary Bullet in the Brain Tobias Wolff Tandolfo the Great Richard Bausch Eleven Sandra Cisneros Writing Exercises 5 Far, Far Away: Fictional Place Place and Atmosphere Harmony and Conflict Between Character and Place Place and Character Place and Emotion Symbolic and Suggestive Place Alien and Familiar Place An Exercise in Place St. Lucy’s Home for Girls Raised by Wolves Karen Russell The Flowers Alice Walker A Visit of Charity Eudora Welty Writing Exercises 6 Long Ago: Fictional Time Summary and Scene Revising Summary and Scene Flashback Slow Motion You’re Ugly, Too Lorrie Moore The Fun House Sherman Alexie Currents Hannah Bottomy Voskuil Writing Exercises 7 The Tower And The Net: Story Form, Plot, and Structure Conflict, Crisis, and Resolution The Arc of the Story Patterns of Power Connection and Disconnection Story Form as an Inverted Check Mark Story and Plot The Short Story and the Novel Types of Fiction Escapes Joy Williams Mud Geoffrey Forsyth Everything That Rises Must Converge FLANNERY O’CONNOR Writing Exercises 8 Call Me Ishmael: Point of View Who Speaks? Third Person Omniscience Limited Omniscience The Objective Author Second Person First Person To Whom? The Reader Another Character The Self Interior Monologue Stream of Consciousness In What Form? At What Distance? Consistency: A Final Caution Victory Lap George Saunders No One's a Mystery Elizabeth Tallent Reply All Robin Hemley Writing Exercises 9 Play it Again, Sam: Revision Re-Vision Worry it and Walk Away Criticism and the Story Workshop Asking the Big Question: What Have I Written? How Fictional Elements Contribute to Theme Revision Questions Further Suggestions for Revision Examples of the Revision Process Battery Pia Z. Ehrhardt Following the Notes Pia Z. Ehrhardt Writing Exercises Appendix: What Next? Professionalism and Literary Citizenship Index Table of Contents
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