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THE ROMANTICS and THEIR CONTEMPORARIES ANNA LETITIA BARBAULD The Mouse’s Petition to Dr. Priestley On a Lady’s Writing Inscription for an Ice-House To a Little Invisible Being Who Is Expected Soon to Become Visible Eighteen Hundred and Eleven CHARLOTTE SMITH FROM ELEGIAC SONNETS AND OTHER POEMS To the Moon “Sighing I see yon little troop at play” To melancholy. Written on the banks of the Arun October, 1785 The sea view The Dead Beggar from Beachy Head WILLIAM BLAKE All Religions Are One SONGS OF INNOCENCE AND OF EXPERIENCE from Songs of Innocence Introduction The Shepherd The Ecchoing Green The Lamb The Little Black Boy The Blossom The Chimney Sweeper The Little Boy lost The Little Boy found The Divine Image HOLY THURSDAY Nurses Song Infant Joy A Dream On Anothers Sorrow from Songs of Experience Introduction EARTH’S Answer The CLOD & the PEBBLE HOLY THURSDAY The Little Girl Lost The Little Girl Found The Chimney Sweeper NURSES Song The SICK ROSE The FLY The Angel The Tyger My Pretty ROSE TREE AH! SUN-FLOWER THE GARDEN of LOVE LONDON The Human Abstract INFANT SORROW The Little BOY Lost The Little GIRL Lost The School-Boy A Divine Image PERSPECTIVES The Abolition of Slavery and the Slave Trade Olaudah Equiano from The Interesting Narrative of the Life of Olaudah Equiano Mary Prince from The History of Mary Prince, a West Indian Slave Thomas Bellamy The Benevolent Planters John Newton Amazing Grace! Ann Cromartie Yearsley from A Poem on the Inhumanity of the Slave-Trade William Cowper Sweet Meat Has Sour Sauce The Negro’s Complaint Hannah More and Eaglesfield Smith The Sorrows of Yamba Robert Southey from Poems Concerning the Slave-Trade Dorothy Wordsworth from The Grasmere Journals Thomas Clarkson from The History of the Rise, Progress, & Accomplishment of the Abolition of the African Slave-Trade by the British Parliament William Wordsworth To Toussaint L’Ouverture To Thomas Clarkson from The Prelude from Humanity Letter to Mary Ann Rawson (May 1833) The Edinburgh Review from Abstract of the Information laid on the Table of the House of Commons, on the Subject of the Slave Trade George Gordon, Lord Byron from Detached Thoughts MARY ROBINSON Ode to Beauty January, 1795 from Sappho and Phaon, in a Series of Legitimate Sonnets III. The Bower of Pleasure IV. Sappho discovers her Passion VII. Invokes Reason XI. Rejects the Influence of Reason XII. Previous to her Interview with Phaon XVIII. To Phaon XXX. Bids farewell to Lesbos XXXVII. Foresees her Death The Old Beggar MARY WOLLSTONECRAFT A Vindication of the Rights of Woman from To M.Talleyrand-Périgord, Late Bishop of Autun Introduction from Chapter 1. The Rights and Involved Duties of Mankind Considered from Chapter 2. The Prevailing Opinion of a Sexual Character Discussed JOANNA BAILLIE London A Mother to Her Waking Infant A Child to His Sick Grandfather Thunder Song: Woo’d and Married and A’ Literary Ballads RELIQUES OF ANCIENT ENGLISH POETRY Sir Patrick Spence ROBERT BURNS To a Mouse To a Louse Flow gently, sweet Afton Ae fond kiss Comin’ Thro’ the Rye (1) Comin’ Thro’ the Rye (2) A Red, Red Rose Auld Lang Syne The Fornicator. A New Song SIR WALTER SCOTT Lord Randal THOMAS MOORE The harp that once through Tara’s halls Believe me, if all those endearing young charms The time I’ve lost in wooing WILLIAM WORDSWORTH LYRICAL BALLARDS Simon Lee Anecdote for Fathers We are seven Expostulation and Reply Lines written a few miles above Tintern Abbey LYRICAL BALLARDS (1800, 1802) from Preface [The Principal Object of the Poems. Humble and Rustic Life] [“The Spontaneous Overflow of Powerful Feelings”] [The Language of Poetry] [What is a Poet?] [“Emotion Recollected in Tranquillity”] “Strange fits of passion have I known” Song (“She dwelt among th’ untrodden ways”) “A slumber did my spirit seal” Lucy Gray Poor Susan Nutting Michael RESPONSES Francis Jeffrey: [“the new poetry”] Charles Lamb: from a letter to William Wordsworth Charles Lamb: from a letter to Thomas Manning SONNETS, 1802–1807 Prefatory Sonnet (“Nuns fret not at their Convent’s narrow room”) Composed upon Westminster Bridge, Sept. 3, 1802 “The world is too much with us” “It is a beauteous Evening” London, 1802 from THE PRELUDE, OR GROWTH OF A POET'S MIND Book First. Introduction, Childhood, and School time from Book Second. School time continued [Two Consciousnesses] [Blessed Infant Babe] from Book Sixth. Cambridge, and the Alps [Arrival in France] [Travelling in the Alps. Simplon Pass] from Book Ninth. Residence in France [Revolution, Royalists, and Patriots] from Book Tenth. Residence in France and French Revolution [The Reign of Terror. Confusion. Return to England] from Book Eleventh. Imagination, How Impaired and Restored [Imagination Restored by Nature] [“Spots of Time.” Two Memories from Childhood and Later Reflections] “I travell’d among unknown Men” Resolution and Independence “I wandered lonely as a cloud” “My heart leaps up” Ode: Intimations of Immortality from Recollections of Early Childhood Surprized by joy Scorn not the Sonnet DOROTHY WORDSWORTH Grasmere—A Fragment Thoughts on My Sick-bed When Shall I Tread Your Garden Path? Lines Written (Rather Say Begun) on the Morning of Sunday April 6th from The Grasmere Journals [Home Alone] [A Leech Gatherer] [A Woman Beggar] [An Old Soldier] [The Grasmere Mailman] [A Vision of the Moon] [A Field of Daffodils] [A Beggar Woman from Cockermouth] [The Circumstances of “Composed upon Westminster Bridge”] SAMUEL TAYLOR COLERIDGE Sonnet to the River Otter The Eolian Harp This Lime-Tree Bower My Prison Frost at Midnight The Rime of the Ancient Mariner (1817) Christabel Kubla Khan The Pains of Sleep Dejection: An Ode Biographia Literaria Chapter 4 [Wordsworth’s Earlier Poetry] Chapter 11 [The Profession of Literature] Chapter 13 [Imagination and Fancy] Chapter 14 [Occasion of the Lyrical Ballads—Preface to the Second Edition—The Ensuing Controversy] [Philosophic Definitions of a Poem and Poetry] from Lectures on Shakespeare [Mechanic vs. Organic Form] GEORGE GORDON, LORD BYRON She walks in beauty So, we’ll go no more a-roving Manfred " MANFRED' AND ITS TIME THE BYRONIC HERO Byron’s Earlier Heroes fromThe Giaour • fromThe Corsair fromLara • Prometheus • from Childe Harold’s Pilgrimage, Canto the Third[Napoleon Buonaparte] Samuel Taylor Coleridge fromThe Statesman’s Manual [“Satanic Pride and Rebellious Self-Idolatry”] Caroline Lamb fromGlenarvon Mary Wollstonecraft Shelley from Frankenstein; or The Modern Prometheus Felicia Hemans fromThe Widow of Crescentius Percy Bysshe Shelley from Preface to Prometheus Unbound • from Prometheus Unbound, Act 1 Robert Southey from Preface to A Vision of Judgement George Gordon, Lord Byron from The Vision of Judgement CHILD HAROLD'S PILGRIMAGE from Canto the Third [Thunderstorm in the Alps] [Byron’s Strained Idealism. Apostrophe to His Daughter] from Canto the Fourth [Rome. Political Hopes] [Apostrophe to the Ocean. Conclusion] DON JUAN Dedication Canto 1 from Canto 7 [Critique of Military “Glory”] from Canto 11 [Juan in England] Stanzas (“When a man hath no freedom to fight for at home”) On This Day I Complete My Thirty-Sixth Year PERCY BYSSHE SHELLEY To Wordsworth Mont Blanc Hymn to Intellectual Beauty Ozymandias Sonnet: Lift not the painted veil Sonnet: England in 1819 Ode to the West Wind To a Sky-Lark To—(“Music, when soft voices die”) Adonais The Cloud from Hellas Chorus (“Worlds on worlds are rolling ever”) Chorus (“The world’s great age begins anew”) from ADefence of Poetry FELICIA HEMANS from TALES, AND HISTORIC SCENES, IN VERSE Evening Prayer, at a Girls’ School Casabianca from RECORDS OF WOMAN Indian Woman’s Death-Song Joan of Arc, in Rheims The Homes of England The Graves of a Household Corinne at the Capitol Woman and Fame JOHN CLARE Written in November (manuscript) Written in November Songs Eternity [The Mouse’s Nest] JOHN KEATS ON FIRST LOOKING INTO CHAPMAN'S HOMER Young Poets On First Looking into Chapman’s Homer. “To one who has been long in city pent” On Seeing the Elgin Marbles On sitting down to read King Lear once again Sonnet: When I have fears The Eve of St. Agnes La Belle Dame sans Mercy THE ODES OF 1819 Ode to Psyche Ode to a Nightingale Ode on a Grecian Urn Ode on Indolence Ode on Melancholy To Autumn This living hand Bright Star LETTERS To George and Thomas Keats [“Intensity” and “Negative Capability”] To Richard Woodhouse [The “Camelion Poet” vs. The “Egotistical Sublime”] To Charles Brown [Keats’s Last Letter] THE VICTORIAN AGE THOMAS CARLYLE from Gospel of Mammonism [The Irish Widow] from Labour [Know Thy Work] from Democracy [Liberty to Die by Starvation] Captains of Industry JOHN STUART MILL On Liberty from Chapter 2. Of the Liberty of Thought and Discussion from Chapter 3. Of Individuality, as One of the Elements of Well-Being ELIZABETH BARRETT BROWNING To George Sand: A Desire To George Sand: A Recognition A Year’s Spinning Sonnets from the Portuguese 1 (“I thought once how Theocritus had sung”) 13 (“And wilt thou have me fashion into speech”) 14 (“If thou must love me, let it be for nought”) 21 (“Say over again, and yet once over again”) 22 (“When our two souls stand up erect and strong”) 43 (“How do I love thee? Let me count the ways”) Aurora Leigh Book 1 [Self-Portrait] [Her Mother’s Portrait] [Aurora’s Education] [Discovery of Poetry] Book 2 [Woman and Artist] [No Female Christ] Book 5 [Epic Art and Modern Life] ALFRED, LORD TENNYSON The Kraken Mariana The Lady of Shalott The Lotos-Eaters Ulysses Tithonus Break, Break, Break The Epic [Morte d’Arthur] THE PRINCESS Sweet and Low Come Down, O Maid [The Woman’s Cause Is Man’s] from In Memoriam A. H. H. The Charge of the Light Brigade Idylls of the King The Coming of Arthur The Higher Pantheism Flower in the Crannied Wall Crossing the Bar CHARLES DARWIN On the Origin of Species by Means of Natural Selection from Chapter 3. Struggle for Existence PERSPECTIVES Religion and Science Thomas Babington Macaulay from Lord Bacon Charles Dickens from Sunday Under Three Heads David Friedrich Strauss from The Life of Jesus Critically Examined Charlotte Brontë from Jane Eyre Arthur Hugh Clough Epi-strauss-ium The Latest Decalogue from Dipsychus John William Colenso from The Pentateuch and Book of Joshua Critically Examined John Henry Cardinal Newman from Apologia Pro Vita Sua Thomas Henry Huxley from Evolution and Ethics Sir Edmund Gosse from Father and Son ROBERT BROWNING Porphyria’s Lover Soliloquy of the Spanish Cloister My Last Duchess The Bishop Orders His Tomb at Saint Praxed’s Church Meeting at Night Parting at Morning A Toccata of Galuppi’s Memorabilia Love Among the Ruins “Childe Roland to the Dark Tower Came” Fra Lippo Lippi The Last Ride Together Andrea del Sarto CHARLES DICKENS A Christmas Carol SIR ARTHUR CONAN DOYLE A Scandal in Bohemia JOHN RUSKIN Modern Painters from Definition of Greatness in Art from Of Water, As Painted by Turner The Storm-Cloud of the Nineteenth Century MATTHEW ARNOLD Isolation. To Marguerite To Marguerite—Continued Dover Beach RESPONSE Anthony Hecht: The Dover Bitch Lines Written in Kensington Gardens The Buried Life The Scholar-Gipsy Culture and Anarchy from Sweetness and Light from Doing as One Likes from Hebraism and Hellenism from Conclusion DANTE GABRIEL ROSSETTI The Blessed Damozel The Woodspurge The House of Life The Sonnet 4. Lovesight 6. The Kiss Nuptial Sleep CHRISTINA ROSSETTI Song (“She sat and sang alway”) Song (“When I am dead, my dearest”) Remember After Death A Pause Echo Dead Before Death An Apple-Gathering Up-Hill Goblin Market Promises Like Pie-Crust ALGERNON CHARLES SWINBURNE The Triumph of Time I Will Go Back to the Great Sweet Mother Hymn to Proserpine A Forsaken Garden WALTER PATER from The Renaissance Preface from Leonardo da Vinci Conclusion GERARD MANLEY HOPKINS God’s Grandeur The Windhover Pied Beauty Binsey Poplars Felix Randal As Kingfishers Catch Fire [Carrion Comfort] No Worst, There Is None I Wake and Feel the Fell of Dark, Not Day That Nature Is a Heraclitean Fire and of the Comfort of the Resurrection Thou Art Indeed Just, Lord RUDYARD KIPLING Without Benefit of Clergy from JUST SO STORIES How the Leopard Got His Spots Gunga Din The Widow at Windsor Recessional If— OSCAR WILDE Impression du Matin RESPONSE Lord Alfred Douglas: Impression de Nuit The Harlot’s House Symphony in Yellow Preface to The Picture of Dorian Gray The Importance of Being Earnest Aphorisms from De Profundis COMPANION READING H. Montgomery Hyde: from The Trials of Oscar Wilde THE TWENTIETH CENTURY JOSEPH CONRAD Preface to The Nigger of the “Narcissus” Heart of Darkness “Heart of Darkness” and Its Time Joseph Conrad: from Congo Diary Sir Henry Morton Stanley: from Address to the Manchester Chamber of Commerce RESPONSES Chinua Achebe: An Image of Africa Gang of Four: We Live As We Dream, Alone THOMAS HARDY Hap Neutral Tones Wessex Heights The Darkling Thrush On the Departure Platform The Convergence of the Twain Channel Firing In Time of “The Breaking of Nations” I Looked Up from My Writing “And There Was a Great Calm” Epitaph PERSPECTIVES The Great War: Confronting the Modern Blast Vorticist Manifesto Rebecca West Indissoluble Matrimony Rupert Brooke The Great Lover The Soldier Siegfried Sassoon Glory of Women “They” The Rear-Guard Everyone Sang Wilfred Owen Anthem for Doomed Youth Strange Meeting Disabled Dulce Et Decorum Est Isaac Rosenberg Break of Day in the Trenches Dead Man’s Dump The Women Poets of World War I Cicely Hamilton Non-Combatant May Wedderburn Cannan Lamplight Rouen Pauline Barrington “Education” Helen Dircks After Bourlon Wood Alys Fane Trotter The Hospital Visitor Teresa Hooley A War Film WILLIAM BUTLER YEATS The Lake Isle of Innisfree Who Goes with Fergus? No Second Troy The Fascination of What’s Difficult September 1913 The Wild Swans at Coole An Irish Airman Foresees His Death Easter 1916 The Second Coming A Prayer for My Daughter Sailing to Byzantium Leda and the Swan Among School Children Byzantium Crazy Jane Talks with the Bishop Lapis Lazuli The Circus Animals’ Desertion Under Ben Bulben JAMES JOYCE Dubliners Araby Eveline Clay The Dead T. S. ELIOT The Love Song of J. Alfred Prufrock Gerontion The Waste Land RESPONSES Fadwa Tuqan: In the Aging City Martin Rowson: from The Waste Land Journey of the Magi Four Quartets Burnt Norton Tradition and the Individual Talent VIRGINIA WOOLF The Lady in the Looking-Glass: A Reflection from A Room of One’s Own KATHERINE MANSFIELD The Daughters of the Late Colonel D. H. LAWRENCE Piano Song of a Man Who Has Come Through Tortoise Shout Snake Bavarian Gentians Cypresses Odour of Chrysanthemums DYLAN THOMAS The Force That Through the Green Fuse Drives the Flower Fern Hill Poem in October Do Not Go Gentle into That Good Night SAMUEL BECKETT Endgame Postwar Poets: English Voices W. H. AUDEN Musée des Beaux Arts In Memory of W. B. Yeats Spain 1937 Lullaby September 1, 1939 In Praise of Limestone PHILIP LARKIN Church Going High Windows Talking in Bed MCMXIV TED HUGHES Wind Relic Theology Dust As We Are Leaf Mould Telegraph Wires SALMAN RUSHDIE The Courter PERSPECTIVES Whose Language? LOUISE BENNETT Back to Africa Colonization in Reverse Independance from NG~uG~I WA THIONG’O Decolonizing the Mind Native African Languages NADINE GORDIMER What Were You Dreaming? DEREK WALCOTT A Far Cry from Africa Wales The Fortunate Traveller SEAMUS HEANEY Punishment The Skunk The Toome Road The Singer’s House In Memoriam Francis Ledwidge Postscript A Call The Errand JAMES KELMAN Home for a Couple of Days EAVAN BOLAND Anorexic Mise Eire The Pomegranate A Woman Painted on a Leaf LORNA GOODISON The Mulatta as Penelope On Becoming a Mermaid Annie Pengelly AGHA SHAHID ALI Beyond English In Arabic Tonight PAUL MULDOON Cuba Aisling Meeting the British Sleeve Notes NUALA NÍ DHOMhNAILL Feeding a Child Parthenogenesis Labasheedy (The Silken Bed) As for the Quince Why I Choose to Write in Irish, The Corpse That Sits Up and Talks Back GWYNETH LEWIS Therapy Mother Tongue ROBERT CRAWFORD The Saltcoats Structuralists Alba Einstein W. N. HERBERT Cabaret McGonagall Smirr Credits Index Table of Contents
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